Birds

Earlier today I was looking through my bird book so that I could tell Vivian the name of one of the birds we saw. The diversity and complexity of bird life in North America is a wonder, first of all. Then I love the way that Field Guide to the Birds describes bird calls so specifically that you can actually hear them in your head:

White-breasted nuthatch:

"Typical song, a rapid series of nasal whistles on one pitch. Call is usually a low-pitched, repeated, nasal yank; higher pitched and given in a rapid series in Great Basin and Rockies birds."

Brown-headed nuthatch:

"Call is a repeated double note like the squeak of a rubber duck. Feeding flocks also give twittering, chirping, and talky bit bit bit calls."

Hermit Warbler:

"Song is a high seezle seezle seezle seezle zeet-zeet."

Blue-gray Gnatcatcher:

"Call is a thin, querulous pwee. Song, a series of melodious but wheezy warbles.

Finally, there are plates in the book where Pop-pop has scratched out some of the species names and replaced them with the names he knew to be more current. So, the Brown Towhee has apparently split into either Canyon Towhee or California Towhee, depending on where you see it. The Solitary Vireo has now become either the Blue-headed in The East, the Cassin's in The West, or the Plumbeous in The Rockies.

I miss Pop-pop. One day I hope to retire and watch birds all the time with Richie. Or something like that.

And, in keeping with National Poetry Month, here's some Wallace Stevens. This is one of the first poems I remember loving, way back in 10th grade in Mrs. Gillham's class.

I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.

II
I was of three minds,
Like a tree
In which there are three blackbirds.

III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.

IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.

V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.

VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.

VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?

VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.

IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.

X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.

XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.

XII
The river is moving.
The blackbird must be flying.

XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.
___________

If you are wondering (I am) what the Field Guide to the Birds has to say about the blackbird's call, you first have to choose between the Yellow-headed, Red-winged, Tricolored, Rusty, or Brewer's Blackbird. I choose Brewer's because it seems common enough and because it looks like the archetypal blackbird in my mind: black and nondescript.

"Typical call is a harsh check; song, a wheezy que-ee or k-seee."

P.S. Mazie and Vivian are playing a raucous game of Baby-in-the-Mud.